Audition Techniques for Film and Television

Expert-defined terms from the Executive Certificate in Acting for Film and Television course at London School of International Business. Free to read, free to share, paired with a globally recognised certification pathway.

Audition Techniques for Film and Television

Audition Techniques for Film and Television #

A comprehensive glossary of terms

1. Accent #

A particular way of pronouncing words, associated with a specific region or country. Actors may be required to use an accent different from their own to convincingly portray a character.

2. Audition #

A tryout for a role in a film or television production, where actors perform a selected scene or monologue for casting directors and/or producers.

3. Callback #

A second or subsequent audition, often involving more in-depth readings or screen tests with other actors.

4. Cold Reading #

Reading a script or lines aloud without prior preparation, often used in auditions to test an actor's ability to quickly grasp a character and their motivations.

5. Character Breakdown #

A detailed description of a character, including their personality, background, relationships, and objectives.

6. Cold Reading Techniques #

Strategies used by actors to quickly analyze and perform a script during a cold reading, such as identifying the character's objectives, relationships, and emotional state.

7. Commercial Audition #

An audition for a role in a television or online commercial, often requiring specific skills such as comedic timing or physicality.

8. Dialogue #

The conversation between two or more characters in a script, requiring actors to listen actively and respond authentically.

9. Direct Address #

Speaking directly to the camera or audience, often used in monologues or interviews.

10. Monologue #

A speech given by a single character, often used in auditions to showcase an actor's range and emotional depth.

11. On #

Camera Audition: An audition that is recorded and reviewed by casting directors, allowing them to assess an actor's on-screen presence and charisma.

12. Preparation #

The process of analyzing and memorizing a script, researching the character and their background, and practicing the lines and delivery.

13. Scene Study #

The practice of breaking down and performing a scene from a script, often used in acting classes and workshops to improve audition techniques.

14. Self #

Tape: A recorded audition submitted by an actor, often required for out-of-town or remote auditions.

15. Slate #

A brief introduction of oneself on camera before performing a scene or monologue, including the actor's name, agency, and any relevant experience or training.

16. Stanislavski Method #

A technique developed by Konstantin Stanislavski that emphasizes emotional truth and authenticity in acting, often through the use of sense memory and imagination.

17. Subtext #

The underlying meaning or emotion in a script, often unspoken or implied, that actors must interpret and convey through their performance.

18. Table Read #

A rehearsal where actors read through a script together, allowing them to familiarize themselves with the dialogue, structure, and pacing of the story.

19. Tape Marks #

Small pieces of tape placed on the floor to indicate where actors should stand or move during a scene.

20. Typecasting #

The practice of assigning roles to actors based on their physical appearance, personality, or previous work, often limiting their opportunities for diverse or challenging roles.

21. Voiceover #

A recorded narration or dialogue that is played over visuals, often used in documentaries, commercials, or animated films.

22. Warm #

Up: The practice of stretching and practicing vocal exercises before an audition or performance, to improve focus, flexibility, and breath control.

23. Wardrobe #

The clothing and accessories worn by actors, often chosen to reflect the character's personality, social status, or occupation.

24. Casting Director #

The person responsible for selecting actors for a film or television production, often working with producers and directors to find the right fit for each role.

25. Crew #

The team of professionals who work behind the scenes on a film or television production, including camera operators, sound engineers, and lighting technicians.

26. Director #

The person responsible for overseeing the creative and technical aspects of a film or television production, guiding the actors' performances and shaping the overall vision of the project.

27. Producer #

The person responsible for financing, organizing, and coordinating a film or television production, often working with the casting director and director to ensure the project stays on schedule and within budget.

28. Rehearsal #

The practice of running through a scene or script multiple times, allowing actors to refine their performances and build chemistry with their co-stars.

29. Screen Test #

A recorded audition where actors perform a scene with other actors, often used to assess their chemistry and compatibility for a particular role.

30. Set #

The physical location where a film or television production is shot, often featuring elaborate sets, props, and lighting equipment.

31. Slate Shot #

A close-up shot of an actor's face as they introduce themselves on camera, often used in self-tapes and on-camera auditions.

32. Sides #

A selection of pages from a script, often used in auditions to allow actors to focus on a specific scene or dialogue.

33. Understudy #

An actor who learns and rehearses a role as a backup, often in case the primary actor becomes unavailable or unable to perform.

34. Video Village #

A group of directors, producers, and crew members who watch and review the filming from a monitor or screen, often located in a separate area from the set.

35. Wrap #

The end of filming for a scene or a production, often marked by a party or celebration.

36. Zombie Audition #

A type of audition where actors are asked to perform a scene without any context or direction, allowing the casting director to assess their instincts and creativity.

Additional Resources : #

Additional Resources:

The Actor's Guide to Auditioning by Joanna Merlin #

The Actor's Guide to Auditioning by Joanna Merlin

Audition #

Everything an Actor Needs to Know to Get the Part by Michael Shurtleff

The Art of Acting by Stella Adler #

The Art of Acting by Stella Adler

An Actor Prepares by Constantin Stanislavski #

An Actor Prepares by Constantin Stanislavski

The Screen Actor's Handbook by Stephen Book #

The Screen Actor's Handbook by Stephen Book

The Actors's Guide to Getting Work by Katie O'Brien and Paul Clayton #

The Actors's Guide to Getting Work by Katie O'Brien and Paul Clayton

The Art of Auditioning #

Every Actor's Guide to Landing Roles by Karen Kohlhaas

Auditioning for Film and Television #

The Complete Guide to Commercial, TV, and Film Auditions by Tricia McKenzie

Challenge #

Choose three terms from this glossary and create a one-page scene that incorporates each term in a meaningful way. Share your scene with a friend or mentor and ask for feedback on how well you incorporated the terms and conveyed the meaning of each one.

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